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Mark Rothko, one of the greatest painter...

    Mark Rothko, one of the greatest painters of the twentieth century, was born in Daugavpils, Latvia in 1903. His father immigrated to the United States, fearing that his son would be drafted (招募) into the Czarist army. Mark stayed in Russia with his mother and elder sister; they joined the family later, arriving in the winter of 1913, after a 12-day voyage.

Mark moved to New York in the autumn of 1923 and found employment in the garment trade and took up residence on the Upper West Side. It was while he was visiting someone at the Art Students League that he saw students sketching a nude model. According to him, this was the start of his life as an artist. He was twenty years old and had taken some art lessons at school, so his initial experience was far from an immediate calling.

In 1936, Mark Rothko began writing a book, which he never completed about the similarities in the children’s art and the work of modern painters. The work of modernists, which was influenced by primitive (原始的) art, according to him, could be compared to that of children in that “Child art transforms itself into primitivism (原始主义), which is only the child producing a mimicry (模仿) of himself.” However, in this same work, he said that “The fact that one usually begins with drawing is already academic. We start with the colors.”

It was not long before his multiform developed into the style he is remembered for; in 1949 Rothko exhibited these new works at the Betty Parsons Gallery. For critic Harold Rosenberg, the paintings were a revelation. After painting his first multiform, Rothko withdrew himself to his home in East Hampton on Long Island. The discovery of his definitive form came at a period of great grief; his mother Kate died in October 1948 and it was at some point during that winter that Rothko chanced upon the striking symmetrical (对称的) rectangular blocks of two to three opposing or contrasting, yet complementary colors (对称). As part of this new uniformity of artistic vision, his paintings and drawings no longer had individual titles: from this point on they were simply untitled, numbered or dated. However, to assist in distinguishing one work from another, dealers would sometimes add the primary colors to the name.

1.Mark Rothko’s family have experienced all of the following except            .

A. a separation from his father B. the call up of the army

C. a temporary stay in Russia D. a 12-day voyage to the United States

2.What made Mark Rothko want to be an artist?

A. His move to the Upper West Side.

B. His visit to the Art Students League.

C. His sight of the students’ drawing.

D. His lessons took in art school.

3.Mark Rothko thought modern art share some similarities with child art because            .

A. they are both considered childish and academic

B. they are both ways of expressing primitivism

C. they are both a copy of the painters themselves

D. they ate both striking blocks and colors

4.Which of the following statements is true about Mark Rothko’s style?

A. It was inspired by Rosenberg.

B. It resulted from moving to Long Island.

C. It resulted from his grief.

D. It evolved (develop gradually) in 1948.

 

1.B 2.C 3.B 4.D 【解析】 本文是一篇人物传记,介绍了20世纪最伟大的画家之一马克罗斯科的生平及艺术风格。 1.细节理解题。根据第一段内容故可知,他的父亲移居美国,他和母亲临时呆在俄罗斯,后来经过12天航行才到美国和父亲重聚,根据“His father immigrated to the United States, afraid that his sons would be drafted into the Czarist army.”可知,他的父亲只是担心儿子们会应征加入沙皇军队,由此可知他并没有被军队召集,故B项正确。 2.细节理解题。根据第二段中的“It was while he was visiting someone at the Art Students League that he saw students sketching a nude model. According to him, this was the start of his life as an artist. ”可知,目睹学生们画画让他开始有了当艺术家的想法,故C项正确。 3.细节理解题。根据第三段中的“The work of modernists, which was influenced by primitive art, could, according to him, be compared to that of children in that "child art transforms itself into primitivism, which is only the child producing a mimicry of himself." ”可知,他认为现代艺术与儿童艺术有相似之处是因为它们都表达了原始风格,故C项正确。 4.细节理解题。根据最后一段中的“his mother Kate died in October 1948 and it was at some point during that winter that Rothko chanced upon the striking symmetrical rectangular blocks of two to three opposing or contrasting, yet complementary colors. As part of this new uniformity of artistic vision, his paintings and drawings no longer had individual titles…”可知,1848年冬天他偶然发现了两到三种对立但互补的颜色组成的引人注目的对称矩形方块,发展了自己的视觉艺术风格,故D项正确。
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