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I first met Paul Newman in 1968, when Ge...

    I first met Paul Newman in 1968, when George Roy Hill, the director of Butch Cassidy and the Sundance Kid, introduced us in New York City. When the studio didn’t want me for the film - it wanted somebody as well known as Paul — he stood up for me. I don’t know how many people would have done that; they would have listened to their agents or the studio powers.

The friendship that grew out of the experience of making that film and The Sting four years later had its root in the fact that although there was an age difference, we both came from a tradition of theater and live TV. We were respectful of craft(技艺) and focused on digging into the characters we were going to play. Both of us had the qualities and virtues that are typical of American actors: humorous, aggressive, and making fun of each other — but always with an underlying affection. Those were also at the core(核心) of our relationship off the screen.

We shared the brief that if you’re fortunate enough to have success, you should put something back — he with his Newman’s Own food and his Hole in the Wall camps for kids who are seriously ill, and me with Sundance and the institute and the festival. Paul and I didn’t see each other all that regularly, but sharing that brought us together. We supported each other financially and by showing up at events.

I last saw him a few months ago. He’d been in and out of the hospital. He and I both knew what the deal was, and we didn’t talk about it. Ours was a relationship that didn’t need a lot of words.

1.Why was the studio unwilling to give the role to author at first?

A.Paul Newman wanted it.

B.The studio powers didn’t like his agent.

C.He wasn’t famous enough.

D.The director recommended someone else.

2.Why did Paul and the author have a lasting friendship?

A.They were of the same age.

B.They worked in the same theater.

C.They were both good actors.

D.They han similar charactertics.

3.What does the underlined word “that” in paragraph 3 refer to?

A.Their belief.

B.Their care for children.

C.Their success.

D.Their support for each other.

4.What is the author’s purpose in writing the test?

A.To show his love of films.

B.To remember a friend.

C.To introduce a new movie.

D.To share his acting experience.

 

1.C 2.D 3.A 4.B 【解析】 本文是一篇记叙文。主要讲述了作者与Paul Newman之间的深厚友情。当制片人不想让我参演电影时,Paul Newman站出来为我说话,两人因此而建立了深厚的友谊。在此后的很多年里,两人一直相互扶持,相互鼓励,因此两人的深厚友情维系了很多年。 1.推理判断题。根据第一段的“When the studio didn’t want me for the film— it wanted somebody as well known as Paul”制片人不想要我,他想要当时比较出名的演员Paul,因此,可知作者当时还不是很有名。故选C。 2.推理判断题。根据第二段的“Both of us had the qualities and virtues that are typical of American actors: humorous, aggressive, and making fun of each other— but always with an underlying affection. Those were also at the core (核心)of our relationship off the screen”可知,作者与Paul之间有着相似的性格特征,这让他们的友谊天长地久。故选D。 3.词义猜测题。根据“We shared the brief that if you’re fortunate enough to have success, you should put something back”,我们都有这个信仰:如果你有幸获得成功,你应该有所回馈。下文“he with his Newman’s Own food and his Hole in the Wall camps for kids who are seriously ill, and me with Sundance and the institute and the festival”是作者举的例子,因此“sharing that brought us together.”that指代前面提到的信仰。故选A。 4.主旨大意题。根据最后一段“I last saw him a few months ago. He’d been in and out of the hospital.He and I both knew what the deal was,and we didn’t talk about it”可知Paul已经去世了,再结合前文“I first met Paul Newman in 1968”,可推断作者写文章是为了怀念这位朋友。故选B。
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    I work with Volunteers for Wildlife, a rescue and education organization at Bailey Arboretum in Locust Valley. Trying to help injured, displaced or sick creatures can be heartbreaking; survival is never certain. However, when it works, it is simply beautiful.

I got a rescue call from a woman in Muttontown. She had found a young owl(猫头鹰) on the ground. When I arrived, I saw a 2-to 3-week-old owl. It had already been placed in a carrier for safety.

I examined the chick(雏鸟) and it seemed fine. If I could locate the nest, I might have been able to put it back, but no luck. My next work was to construct a nest and anchor it in a tree.

The homeowner was very helpful. A wire basket was found. I put some pine branches into the basket to make this nest safe and comfortable. I placed the chick in the nest, and it quickly calmed down.

Now all that was needed were the parents, but they were absent. I gave the homeowner a recording of the hunger screams of owl chicks. These advertise the presence of chicks to adults; they might also encourage our chick to start calling as well. I gave the owner as much information as possible and headed home to see what news the night might bring.

A nervous night to be sure, but sometimes the spirits of nature smile on us all! The homeowner called to say that the parents had responded to the recordings. I drove over and saw the chick in the nest looking healthy and active. And it was accompanied in the nest by the greatest sight of all — LUNCH! The parents had done their duty and would probably continue to do so.

1.What is unavoidable in the author’s rescue work according to paragraph 1?

A. Efforts made in vain.

B. Getting injured in his work.

C. Feeling uncertain about his future.

D. Creatures forced out of their homes.

2.Why was the author called to Muttontown?

A. To rescue a woman.

B. To take care of a woman.

C. To look at a baby owl.

D. To cure a young owl.

3.What made the chick calm down?

A. A new nest.

B. Some food.

C. A recording.

D. Its parents.

4.How would the author feel about the outcome of the event?

A. It’s unexpected.

B. It’s beautiful.

C. It’s humorous.

D. It’s discouraging.

 

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    It was a cold March day in High Point, North Carolina. The girls on the Wesleyan Academy softball team were waiting for their next turns at bat during practice, stamping their feet to stay warm. Eighth-grader Taylor Bisbee shivered (发抖) a little as she watched her teammate Paris White play. The two didn’t know each other well — Taylor had just moved to town a month or so before.

Suddenly, Paris fell to the ground. “Pairs’s eyes rolled back,” Taylor says. “She started shaking. I knew it was an emergency.”

It certainly was. Paris had suffered a sudden heart failure. Without immediate medical care, Paris would die. At first, no one moved. The girls were in shock. Then the softball coach shouted out, “Does anyone know CPR?”

CPR is a life-saving technique. To do CPR, you press on the sick person’s chest so that blood moves through the body and takes oxygen to organs. Without oxygenthe brain is damaged quickly.

Amazingly, Taylor had just taken a CPR course the day before. Still, she hesitated. She didn’t think she knew it well enough. But when no one else came forward, Taylor ran to Paris and began doing CPR. “It was scary. I knew it was the difference between life and death,” says Taylor.

Taylor’s swift action helped her teammates calm down. One girl called 911. Two more ran to get the school nurse, who brought a defibrillator, an electronic device (器械) that can shock the heart back into work. Luck stayed with them: Paris’s heartbeat returned.

“I know I was really lucky,” Paris says now. “Most people don’t survive this. My team saved my life.”

Experts say Paris is right: For a sudden heart failure, the single best chance for survival is having someone nearby step in and do CPR quickly.

Today, Paris is back on the softball team. Taylor will apply to college soon. She wants to be a nurse. “I feel more confident in my actions now,” Taylor says. “I know I can act under pressure in a scary situation.”

1.What happened to Paris on a March day?

A.She caught a bad cold.

B.She had a sudden heart problem.

C.She was knocked down by a ball.

D.She shivered terribly during practice.

2.Why does Paris say she was lucky?

A.She made a worthy friend.

B.She recovered from shock.

C.She received immediate CPR.

D.She came back on the softball team.

3.Which of the following words can best describe Taylor?

A.Enthusiastic and kind.

B.Courageous and calm.

C.Cooperative and generous.

D.Ambitious and professional.

 

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    Benjamin West, the father of American painting, showed his talent for art when he was only six years of age. But he did not know about brushes before a visitor told him he needed one. In those days, a brush was made from camel’s hair. There were no camels nearby. Benjamin decided that cat hair would work instead. He cut some fur from the family cat to make a brush.

The brush did not last long. Soon Benjamin needed more fur. Before long, the cat began to look ragged(蓬乱). His father said that the cat must be sick. Benjamin was forced to admit what he had been doing.

The cat’s lot was about to improve. That year, one of Benjamin’s cousins, Mr. Pennington, came to visit. He was impressed with Benjamin’s drawings. When he went home, he sent Benjamin a box of paint and some brushes. He also sent six engravings(版画) by an artist. These were the first pictures and first real paint and brushes Benjamin had ever seen. In 1747, when Benjamin was nine years old, Mr. Pennington returned for another visit. He was amazed at what Benjamin had done with his gift. He asked Benjamin’s parents if he might take the boy to Philadelphia for a visit.

In the city, Mr. Pennington gave Benjamin materials for creating oil paintings. The boy began a landscape(风景) painting. William Williams, a well-known painter, came to see him work. Williams was impressed with Benjamin and gave him two classic books on painting to take home. The books were long and dull. Benjamin could read only a little, having been a poor student. But he later said,"Those two books were my companions by day, and under my pillow at night."While it is likely that he understood very little of the books, they were his introduction to classical paintings. The nine-year-old boy decided then that he would be an artist.

1.What is the text mainly about?

A.Benjamin’s visit to Philadelphia.

B.Williams’ influence on Benjamin.

C.The beginning of Benjamin’s life as an artist.

D.The friendship between Benjamin and Pennington.

2.What does the underlined sentence in paragraph 3 suggest?

A.The cat would be closely watched.

B.The cat would get some medical care.

C.Benjamin would leave his home shortly.

D.Benjamin would have real brushes soon.

3.What did Pennington do to help Benjamin develop his talent?

A.He took him to see painting exhibitions.

B.He provided him with painting materials.

C.He sent him to a school in Philadelphia.

D.He taught him how to make engravings.

4.Williams’ two books helped Benjamin to _____________.

A.master the use of paints

B.appreciate landscape paintings

C.get to know other painters

D.make up his mind to be a painter

 

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    Benjamin West, the father of American painting, showed his talent for art when he was only six years of age. But he did not know about brushes before a visitor told him he needed one. In those days, a brush was made from camel’s hair. There were no camels nearby. Benjamin decided that cat hair would work instead. He cut some fur from the family cat to make a brush.

The brush did not last long. Soon Benjamin needed more fur. Before long, the cat began to look ragged(蓬乱). His father said that the cat must be sick. Benjamin was forced to admit what he had been doing.

The cat’s lot was about to improve. That year, one of Benjamin’s cousins, Mr. Pennington, came to visit. He was impressed with Benjamin’s drawings. When he went home, he sent Benjamin a box of paint and some brushes. He also sent six engravings(版画) by an artist. These were the first pictures and first real paint and brushes Benjamin had ever seen. In 1747, when Benjamin was nine years old, Mr. Pennington returned for another visit. He was amazed at what Benjamin had done with his gift. He asked Benjamin’s parents if he might take the boy to Philadelphia for a visit.

In the city, Mr. Pennington gave Benjamin materials for creating oil paintings. The boy began a landscape(风景) painting. William Williams, a well-known painter, came to see him work. Williams was impressed with Benjamin and gave him two classic books on painting to take home. The books were long and dull. Benjamin could read only a little, having been a poor student. But he later said,"Those two books were my companions by day, and under my pillow at night."While it is likely that he understood very little of the books, they were his introduction to classical paintings. The nine-year-old boy decided then that he would be an artist.

1.What is the text mainly about?

A.Benjamin’s visit to Philadelphia.

B.Williams’ influence on Benjamin.

C.The beginning of Benjamin’s life as an artist.

D.The friendship between Benjamin and Pennington.

2.What does the underlined sentence in paragraph 3 suggest?

A.The cat would be closely watched.

B.The cat would get some medical care.

C.Benjamin would leave his home shortly.

D.Benjamin would have real brushes soon.

3.What did Pennington do to help Benjamin develop his talent?

A.He took him to see painting exhibitions.

B.He provided him with painting materials.

C.He sent him to a school in Philadelphia.

D.He taught him how to make engravings.

4.Williams’ two books helped Benjamin to _____________.

A.master the use of paints

B.appreciate landscape paintings

C.get to know other painters

D.make up his mind to be a painter

 

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    While famous foreign architects are invited to lead the designs of landmark buildings in China such as the new CCTV tower and the National Center for the Performing Arts, many excellent Chinese architects are making great efforts to take the center stage.

Their efforts have been proven fruitful. Wang Shu, a 49-year-old Chinese architect, won the 2012 Pritzker Architecture Prize — which is often referred to as the Nobel Prize in architecture — on February 28. He is the first Chinese citizen to win this award.

Wang serves as head of the Architecture Department at the China Academy of Art (CAA). His office is located at the Xiangshan campus(校园) of the university in Hangzhou, Zhejiang Province. Many buildings on the campus are his original creations.

The style of the campus is quite different from that of most Chinese universities. Many visitors were amazed by the complex architectural space and abundant building types. The curves(曲线) of the buildings perfectly match the rise and fall of hills, forming a unique view.

Wang collected more than 7 million abandoned bricks of different ages. He asked the workers to use traditional techniques to make the bricks into walls, roofs and corridors. This creation attracted a lot of attention thanks to its mixture of modern and traditional Chinese elements(元素).

Wang’s works show a deep understanding of modern architecture and a good knowledge of traditions. Through such a balance, he had created a new type of Chinese architecture, said Tadao Ando, the winner of the 1995 Pritzker Prize.

Wang believes traditions should not be sealed in glass boxes at museums. "That is only evidence that traditions once existed," he said.

"Many Chinese people have a misunderstanding of traditions. They think tradition means old things from the past. In fact, tradition also refers to the things that have been developing and that are still being created, " he said.

"Today, many Chinese people are learning Western styles and theories rather than focusing on Chinese traditions. Many people tend to talk about traditions without knowing what they really are, " said Wang.

The study of traditions should be combined with practice. Otherwise, the recreation of traditions would be artificial and empty, he said.

1.Wang’s winning of the prize means that Chinese architects are ___________.

A.following the latest world trend

B.getting international recognition

C.working harder than ever before

D.relying on foreign architects

2.What impressed visitors to the CAA Xiangshan campus most?

A.Its hilly environment.

B.Its large size.

C.Its unique style.

D.Its diverse functions.

3.What made Wang’s architectural design a success?

A.The mixture of different shapes.

B.The balance of East and West.

C.The use of popular techniques.

D.The harmony of old and new.

4.What should we do about Chinese traditions according to Wang?

A.Spread them to the world. B.Preserve them at museums.

C.Teach them in universities. D.Recreate them in practice.

 

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