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Step into Moving to Mars, an exhibition ...

    Step into Moving to Mars, an exhibition of Mars mission and colony design at London’s Design Museum, and immediately you have good reasons not to move there.

Frightening glowing wall-texts announce that Mars wasn’t made for you that there is no life and precious little water: that, dressed in a spacesuit, you will never touch, taste or smell the planet you now call “home”. As Lisa Grossman wrote for New Scientist a couple of years ago, “What’s different about Mars is that there is nothing to do there except try not to die”.

It is an odd beginning for such a celebratory exhibition, but it provides a valuable, dark background against which the rest of the show can sparkle (闪耀)—a show that is ,as its chief manager Justin remarks“not about Mars this is an exhibition about people”.

Moving along, there is a quick yet clear flash through what the science-fiction writer Robinson calls “the history of Mars in the human mind”. A Babylonian clay tablet and a Greek vase speak to early ideas about the planet. A poster for the original Total Recall film reminds us of Mars’s psychological threat.

The main part of the show is our current plans for the Red Planet. There are real spacesuits and models of 3D-printed Martian settlements and suitable clothing and furniture. Mission architectures and engineering sketches line the walls. Real hammers meant for the International Space Station are wall-mounted beside a low-gravity table that has yet to leave, and may indeed never leave, Earth.

This, of course, is the great strength of approaching science through design: reality and assumption can be given equal visual weight, drawing us into an informed conversation about what it is that we actually want from a future on Mars.

1.What is the text mainly about?

A.How to move to Mars. B.How to survive on Mars.

C.What preparations we made for Mars. D.What the exhibition of Mars truly tells us.

2.What can we learn from Lisa Grossman?

A.It’s impossible to live on Mars. B.It’s no good settling on Mars.

C.You have nothing to do living on Mars. D.You can live on Mars in spacesuit.

3.What does the exhibition focus on?

A.The current plans for Mars. B.The advantages of living on Mars.

C.The early ideas about Mars. D.The history of Mars in the human mind.

4.What does the author want to tell us in the last paragraph?

A.An experience. B.An opinion. C.A fantasy. D.A solution.

 

1.D 2.A 3.A 4.B 【解析】 这是一篇说明文。主要说明了伦敦设计博物馆的火星任务和移民地设计展览"搬到火星"的基本情况。 1.主旨大意题。根据第一段Step into Moving to Mars, an exhibition of Mars mission and colony design at London’s Design Museum, and immediately you have good reasons not to move there.(走进火星,伦敦设计博物馆的火星任务和殖民地设计展览,你立即有充分的理由不搬到那里。)以及文章内容可知,本文主要讲述了伦敦设计博物馆的火星任务和移民地设计展览"搬到火星"的基本情况。故选D。 2.细节理解题。根据第二段中As Lisa Grossman wrote for New Scientist a couple of years ago, "What's different about Mars is that there is nothing to do there except try not to die".(就像Lisa Grossman几年前为《新科学家》写的那样,"火星的不同之处在于,除了不死,别无选择"。)可知从Lisa Grossman的话中我们能了解到在火星上生活是不可能的。故选A。 3.细节理解题。根据第五段 The main part of the show is our current plans for the Red Planet.(展览的主要部分是我们目前对"红色星球"的计划。)此处“红色星球”指火星,可知,展览的重点是关于火星目前的计划。故选A。 4.推理判断题。根据最后一段This, of course, is the great strength of approaching science through design: reality and assumption can be given equal visual weight, drawing us into an informed conversation about what it is that we actually want from a future on Mars.(当然,这是通过设计来接近科学的强大力量:现实和假设可以被给予同等的视觉权重,将我们带入一个关于我们真正想从火星未来得到什么的知情对话中。)可知,作者在最后一段想告诉我们一个观点。故选B。
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