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When David Edwards founded the oPhone, h...

When David Edwards founded the oPhone, he hoped scent (嗅觉的) messages would become the next big thing in the digitization of our online lives.

The device looked like a high-tech cruet set (调味瓶) and allowed a friend with an iPhone app to send you scent messages alongside photos. Send a picture of your dinner, tag it with four different tones, and whoever is on the receiving end can sniff it from the vase-like tubes of the oPhone.

The oPhone didn’t take off, and the company has now shifted focus to a “scent speaker” called the Cyrano, which similarly uses a range of scent capsules to emit “play lists” of smells.

Compared to our real world interactions, our online lives are lacking in scent. Our digital culture, so soaked in visual and aural stimuli, is odorless (没有气味的). So why didn’t his marriage of smell and picture messaging excite more interest?

From a technical point of view, smell is simply harder to mass communicate than sounds and pictures. “There are two main technological obstacles to making smell transmissible by digital means,” explains biophysicist and author of Perfumes: The A -Z guide, Dr Luca Turin.

First, there are no odor ‘primaries’like RGB or CMYK. Second, it has proved impossible to stimulate the olfactory epithelium (上皮组织) directly by any means tried so far. This means that it is currently impossible to induce a sensation of smell without there being an actual chemical in the inhaled air (吸入的空气).

The more we’re plugged into the virtual world, the more we deeply appreciate thecontrast-moments in our human, experience,” says designer and olfactory artist Mindy Yang.

Intuitively, we realize that we are starved of certain sensations. With the rise of digital culture, society has become more interested in the missing sense-c-what we smell.”

This interest in scent isn’t only happening within the worlds of perfume and fashion. Over the past few years a number of cultural projects have set out to focus on the power of sensory experiences, from the use of a smell map, to the Tate Sensorium, which in 2015 let users experience visual art alongside smells, tastes and sounds.

Whether it’s devices like the oPhone thaty to introduce scent into digital messaging, organizations are growingly aware of our culture’s desire for sensory experiences. In a time of virtual reality and scentless social networks, it’s perhaps no wonder that we as a culture have such a desire for something that instinctively feels real and authentic-even if it was made in a lab.

1.What can we learn about the oPhone?

A. The oPhone has defended our interest in what we smell.

B. The oPhone hasn’t caught on yet since it was founded.

C. The oPhone has swapped visual and aural stimuli for scent.

D. The oPhone is a vase tube to sniff specific messages from.

2.What makes it challenging to introduce scent into digital messaging?

A. The relevant tissue is impossible to stimulate directly.

B. Scent capsules should be applied to send out smells.

C. There exists no actual chemical in the inhaled air.

D. Sounds and pictures are easier to mass communicate.

3.What is the authors purpose in writing the passage?

A. To promote the oPhone which can send scent messages.

B. To reveal the problems of the invention of the oPhone.

C. To predict the trend of the digitization of our online lives.

D. To introduce the oPhone based on smell-digital-technology.

 

1. B 2. A 3. D 【解析】 本文是一则广告。文章介绍一种基于嗅觉数字技术的手机。 1.推理判断题。根据第一段When David Edwards founded the oPhone, he hoped scent (嗅觉的) messages would become the next big thing in the digitization of our online lives.可知,oPhone自成立以来还没有流行起来。故选B。 2.推理判断题。根据第六段中it has proved impossible to stimulate the olfactory epithelium (上皮组织) directly by any means tried so far.可知,相关的组织不可能被直接刺激,这使得将气味引入到数字信息中具有挑战性。故选A。 3.推理判断题。根据第一段When David Edwards founded the oPhone, he hoped scent (嗅觉的) messages would become the next big thing in the digitization of our online lives.可知,作者写这篇文章的目的是为了介绍一种基于嗅觉数字技术的手机。故选D。
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Guide to Stockholm University Library

Our library offers different types of studying places and provides a good studying environment.

Zones

The library is divided into different zones. The upper floor is a quiet zone with over a thousand places for silent reading, and places where you can sit and work with your own computer.  The reading places consist mostly of tables and chairs. The ground floor is the zone where you can talk. Here you can find sofas and armchairs for group work.

Computers

You can use your own computer to connect to the Wi-Fi specially prepared for notebook computers; you can also use library computers, which contain the most commonly used applications, such as Microsoft  Office. They are situated in the area known as the Experimental Field on the ground floor.

Group-study Places

If you want to discuss freely without disturbing others, you can book a study room or sit at a table on the ground floor. Some study rooms are for 2-3 people and others can hold up to 6-8 people. All rooms are marked on the library maps. There are 40 group-study rooms that must be booked via the website. To book, you need an active University account and a valid University card. You can use a room three hours per day, nine hours at most per week.

Storage of Study Material

The library has lockers for students to store course literature. When you have obtained at least 40 credits (学分) you may rent a locker and pay 400 SEK for a years rental period.

Rules to be Followed

Mobile phone conversations are not permitted anywhere in the library. Keep your phone on silent as if you were in a lecture and exit the library if you need to receive calls.

Please note that food and fuit are forbidden in the library, but you are allowed to have drinks and sweets with you.

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A. A group must consist of 8 people.

B. One should first register at the university.

C. Three-hour use per day is the minimum.

D. Applicants must mark the room on the map.

 

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