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2020 SAN FRANCISCO WRITERS CONFERENCE 17...

2020 SAN FRANCISCO

WRITERS CONFERENCE

17th Celebration of Craft, Commerce & Community

February 13-16, 2020 at the Hyatt Regency San Francisco

Speakers:    *Walter Mosley*Jonathan Maberry    *Brooke Warner

Plus authors, editors, publishers & literary agents from New York, L.A. & S.F. Bay Area

Visit www.SFWriters.org to get event/contest/scholarship details, access online registration for the free SFWC Newsletter.

Considerable Early Discounts and Special Room Rates!

2019 SAN FRANCISCO

WRITING FOR CHANGE

A one-day conference for all writers who want to change the world through their writing.

September 14th at the Unitarian Center Details and registration:

www.SFWritingforChange.org

SFWC/San Francisco Writers Foundation is a nonprofit organization

Behind the Scenes of a Writing Conference

When you attend a writing conference, you see a facade that took months or longer to make up. Plenty is going on behind the scenes. Let’s take a look behind the curtain.

The day starts long before attendees walk through the door. Registration is set up, signs posted and tables arranged. Logistics ( ) all fall on the conference organizers. For example, the annual conference I direct in San Francisco (see the poster above) is a simple one-day conference that takes more than eight months to put together and around 15 staff and volunteers to manage. Larger multi-day conferences have even more going on behind the scenes.

Overseeing it all is the conference director, a conductor who typically works with committee directors to make sure everything runs smoothly. Over the course of the conference, staffers make sure everything stays on track. It’s not unusual for staff to walk miles in a day and go without meals.

Conference staff and volunteers are always behind the curtains making sure your experience is perfect. The next time you attend a well-run writing conference, take a moment to thank staff and volunteers for their devotion. They deserve all the praise they can get because without them, there would be no conference.

1.The underlined word facade refers to  ___.

A.the effort behind the scenes

B.the scenes visible to the public

C.the literary masterpiece on display

D.the material distributed at the meeting

2.What’s the latest time to start to arrange for the one-day conference in San Francisco?

A.July, 2019. B.March, 209.

C.September, 2019 . D.January, 2019.

3.According to the writer, the attendees of the 2020 San Francisco Writers Conference should praise the ____ .

A.three speakers B.authors and editors

C.staff and volunteers D.corporate sponsors

 

1.B 2.D 3.C 【解析】 本文是一篇应用文,介绍了2020年旧金山作家年会的相关信息和幕后筹备工作。 1.词义猜测题。根据划线词后的“Plenty is going on behind the scenes.”可知,很多事情都是在幕后进行的,因此此处是说当你参加写作会议时,你会看到一个花了几个月甚至更长时间才形成的表面现象,也就是说与幕后发生的事情相比,你看到的只不过是表面现象而已,由此可知划线词指的是“公众可见的场景”。故B项正确。 2.推理判断题。根据Behind the Scenes of a Writing Conference部分第二段中的“The day starts long before attendees walk through the door. Registration is set up, signs posted and tables arranged. Logistics ( 后 勤 ) all fall on the conference organizers. For example, the annual conference I direct in San Francisco (see the poster above) is a simple one-day conference that takes more than eight months to put together”可知,这一天早在与会者走出大门之前就开始了,设立登记处,张贴标志,安排桌子,物流全部由会议组织者负责,例如,我在旧金山主持的年会(见上面的海报)是一个简单的为期一天的会议,总共需要8个多月的时间去准备,再根据海报上的时间“September 14th at the Unitarian Center Details and registration:”可知,9月14日在Unitarian中心登记详细信息和注册,而9月14日的八个月以前是1月份。由此可知,安排旧金山为期一天的会议最迟要在2019年1月开始。故D项正确。 3.细节理解题。根据最后一段中的“The next time you attend a well-run writing conference, take a moment to thank staff and volunteers for their devotion.”可知,下次你参加一个运行良好的写作会议时,花点时间感谢工作人员和志愿者的奉献。由此可知,作者认为参加2020年旧金山作家年会的人应该称赞此次年会的工作人员和志愿者。故C项正确。
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    Dame Zaha Hadid, the Iraqi-born British architect whose tall structures left a mark on skylines and imaginations around the world and in the process reshaped architecture for the modern age.

She was not an average designer. She liberated architectural geometry( 几何), giving it a whole new expressive identity. Geometry became, in her hands, a vehicle for unprecedented and eye-popping new spaces. Her buildings elevated uncertainty to an art, conveyed in the odd ways.

Her work implying mobility, speed, freedom and uncertainty spoke to a worldview widely shared by a younger generation. “I am not European, I don’t do conventional work and I am a woman,’’ Strikingly Ms. Hadid never allowed herself on her work to be categorized by her background or her gender. And she was one of a kind, a path breaker. In 2004, she became the first woman to win the Pritzker Prize, architecture’s Nobel.

Zaha Hadid was born in Baghdad on October 31, 1950. Then in 1972, she arrived at the architectural association in London, a center for experimental design. Her teachers included Elia Zenghelis and Rem Koolhaas. “They aroused my ambition,” she would recall, “and taught me to trust even my strangest instincts.” By the 1980s she had established her own practice in London. And she began to draw attention with an unrealized plan in 1982—1983 for the Peak Club.

Her partner, Patrick Schumacher, played an instrumental and collaborative role in her career. Mr. Schumacher coined the term parametric(参数的) design to include the computer-based approach that helped the firm’s most weird concepts become reality. Ms. Hadid called what resulted in an organic language of architecture, based on these new tools, which allow us to combine highly complex forms into a fluid(流线的) and complete whole.

Her sources were nature, history or whatever she sought useful. When her Rosenthal Center, a relatively modest project, opened in 2003, Herbert Muschamp, the architecture critic declared it “the most important American building to be completed since the end of the cold war”.

“She was bigger than life, a force of nature,” as Amale Andraos, the dean of Columbia University’s architecture school, put it, “she was a pioneer.”

She was. For women, for what cities can desire to build and for the art of architecture.

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A.Free architectural geometry. B.Conventional design.

C.Odd imagination. D.Colorful patterns.

2.According to Paragraphs 3 and 4, which of the following statement is TRUE?

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B.The plan for the Peak Club hasn’t been carried out.

C.The architect’s gender influenced her work dramatically.

D.Zaha Hadid was the first architect to win the Pritzker Prize.

3.How did the computer-based approach make a difference to Zaha Hadid’s work?

A.It contributes to realizing the strange ideas.

B.It simplifies the complex structure as a whole.

C.It provides new tools to translate the language.

D.It serves as an instrument to interpret the concepts.

4.The purpose of the passage is to____.

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B.praise Zaha Hadid’s inspiration and diligence

C.compare Zaha Hadid’s works in different times

D.show Zaha Hadid’s great contributions to architecture

 

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3.A.liberate B.celebrate C.concern D.reject

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