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If you had asked me then if I would acce...

    If you had asked me then if I would accept a job as a restaurant critic for The New York Times. or any establishment publication, I would have replied, without a second thought, “Of course not!” And not just because I did not want to think of myself as an ambitious sort Working in restaurants was honest labor, anyone could see that. Writing about them for the mainstream press was not; it felt like joining the enemy.

But renewing was fun. so much fun that when mainstream publishers started paying me for my opinions, I didn't do the decent thing. Before I knew it, I had stopped cooking Professionally.

Then I stopped cooking altogether. “She's joined the leisure class.” my friend said.

I disarmed (消解怒气)) my critics by inviting them along; nobody I knew could afford to eat out and nobody refused. We went with equal amounts of guilt and pleasure, with a feeling that we were trespassing (侵入))on the playgrounds of the rich.

We didn't belong in starchy restaurants. We knew it, and when we climbed out of my rent - a - wreck, splendid in years from the Salvation Army, everybody else knew it, too. We always got the worst table. And then, because I didn't own a credit card, I had to pay in cash. The year turned into two and three, and more. I got a credit card. I got good clothes. I was writing for increasingly prestigious (声誉高的)publications. Meanwhile, a voice inside me kept whispering, How could you?”

The voice is still there, yakking (喋喋不休)away. When I receive weekly letters from people who think it is indecent to write about $100 meals while half the world is hungry, the voice yaks right along, “They're absolutely right, you elitist pig is hisses”. And when it asks. “When are you going to grow up and get a real job? it sounds a lot like my mother.

And just about then is when I tell the voice to shut up. Because when my mother starts idling me that all I'm doing with my life is telling rich people where to eat, I realize how much the world has changed.

Yes, there are still restaurants where rich people go to remind themselves that they are different from you and me. But there are fewer and fewer of them. As American food has come of age. American restaurants have changed. Going out to eat used to be like going to the opera; today, it is more like going to the movies.

And so everyone has become a critic. I couldn't be happier. The more people pay attention to what and how they eat, the more accustomed they become to their own senses and the world around them.

When I remember that conversation with M. F. K. Fisher, I wish I had not been quite so gentle. When I rerun the loop in my mind, I turn to her and say this: “No, you are wrong. A. J. Liebling had it right. All it really takes to be a restaurant critic is a good appetite.”

1.How did the author feel about the job as a restaurant critic at the very beginning?

A.She didn't think much of it

B.She was the ambitious one for it.

C.It was not suitable for a cook like her.

D.It was not easy to work for the mainstream press.

2.What does the third paragraph talk about?

A.A strong desire to be invited to eat out like the rich.

B.A mixed feeling of guilt and pleasure about eating out.

C.A mixed feeling of guilt and pleasure going into private property.

D.A special treat to be able to go into private property for fun.

3.What does the underlined sentence “The year turned into two, and three, and more.” In paragraph 4 mean?

A.She stayed in the career as a cook for years.

B.She kept on writing as a restaurant critic for years.

C.It was years before she quit the career as a cook.

D.It was years before her application for a credit card got approved.

4.The underlined word ''indecent'' in paragraph 5 most probably means     .

A.worthwhile B.critical C.unacceptable D.imperfect

5.What changes have taken place to American restaurants?

A.They have places for both the rich and the poor.

B.They have varieties of means for entertainment.

C.They have become too expensive to be available.

D.They have become affordable to common people,

6.Which of the following statements will the author most probably agree with?

A.The writer is getting tired of the job.

B.good appetite makes a good critic.

C.There is no need for restaurant critics at all.

D.Eating out is no longer a privilege the rich have.

 

1.A 2.B 3.B 4.C 5.D 6.D 【解析】 本文是一篇记叙文。作者是一名餐厅评论家,在外面吃饭时,经常内疚和快乐交织在一起,也经常受到别人的不理解。但随着美国餐馆发生了变化,出去吃饭不再是富人的权利,每个人都成为了美食评论家。 1.细节理解题。根据文章第一段“If you had asked me then if I would accept a job as a restaurant critic for The New York Times or any establishment publication, I would have replied, without a second thought,”从作者的毫不犹豫地回答可知,作者没有思考太多。故选A。 2.段落大意题。根据文章第三段及此段中关键句“We went with equal amounts of guilt and pleasure, with a feeling that we were trespassing (侵入))on the playgrounds of the rich.”可知,作者内疚与快乐并存。从而可知,此段主要讲述作者在外面吃饭的内疚和快乐交织在一起。故选B。 3.句意理解题。根据文章第四段及此段中关键句“I was writing for increasingly prestigious (声誉高的)publications.”可知,后来作者为越来越知名的刊物撰稿。从而可以猜测出,此句句意为:作为一名餐厅评论家,她多年来一直坚持写作。故选B。 4.词义猜测题。根据文章第五段“When I receive weekly letters from people who think it is indecent to write about $100 meals while half the world is hungry, the voice yaks right along”中的关键句“while half the world is hungry”给作者来信的人认为在全世界一半的人都在挨饿,所以可以推测到,在这种情况下,他们认为作者写100美元一顿的饭菜是不可接受的。所以indecent为“不可接受”之意。故选C。 5.推理判断题。根据文章第七段“American restaurants have changed. Going out to eat used to be like going to the opera; today, it is more like going to the movies.(美国的餐馆已经改变了,过去出去吃饭就像去看歌剧;今天,它更像是去看电影。)”可推断出,美国餐馆发生了变化,普通人也付得起了。故选D。 6.细节理解题。根据文章第六段“Because when my mother starts telling me that all I'm doing with my life is telling rich people where to eat, I realize how much the world has changed.(因为当我妈妈开始告诉我,我这辈子所做的一切就是告诉富人去哪里吃饭,我意识到世界已经发生了多么大的变化。)”及第七段内容可知,外出吃饭已经大众化,不再是富人的权利。故选D。
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