假定英语课上老师要求同桌之间交换修改作文，请你修改同桌写的以下作文。文中共有10处语言错误，每句中最多有两处。每处错误仅涉及一个单词的增加、删除或修改。
增加：在缺词处加一个漏字符号（∧），并在其下面写出该加的词。
删减：把多余的词用斜线（\）划掉。
修改：在错词下面划一横线，并在该词下面写出修改后的词。
注意：
1. 每处错误及其修改均仅限一词；
2. 只允许修改10处，多者（从第11处起）不计分。
This winter I had to stay home and looked after my 5-year-old nephew so his mother has been working at the hospital day and night, taken care of patients. I remembered of the moment his mother left for the hospital, he burst into tear and tried to keep her going there. Then I explain to him “Your mother is like Wonder Woman, one of the cartoon superheroes who fights bad guys every day.” He final calmed down. Because in her mind, it is Wonder Woman which is the strongest in the battlefield.
阅读下面材料，在空白处填入1个适当的单间或括号内单词的正确形式
Our homes deserve a thorough cleaning at least once a year. Here are ways to deep clean your house.
If your closet (衣帽间) looks like a mass of balled up clothes, you can start by 1. (take) clothes out by sections, and rearranging them 2. the basis of usage. Unnecessary clothing items that are eating up space can 3. (put) in a bag and kept aside for donations. Scarves for the ladies and ties for the 4. (gentleman) can go into hangers for easy access.
We often miss out fans and air conditioners. With changing seasons, there 5. (exist) a higher risk of catching a cold or flu, and a fan with dust can further increase that risk. Therefore, take a wet cloth and wipe off your fan 6. (careful). As for your air conditioner, seeking professional service is probably the 7. (good) option.
Lastly, properly clean your carpets and sofas with 8. steam iron. Smaller carpets can be washed with water and detergent (洗涤剂), 9. you really need a particular device to clean the larger ones. 10. (remove) oily marks, you could use a solution of vinegar, water, dishwasher liquid, and baking soda to get rid of them.
Last summer, Steller pulled off the freeway on her way to work. She ______ at a traffic light, where a man was sitting with a ______ asking for help. She rolled down her ______. “Hey!” she shouted. “I’m driving around giving ______ haircuts. Do you want one right now?”
The man looked to be in his 60s. He was strongly built, and missing a few ______. “Actually,” he said, “I have a funeral to go to this week. I was really hoping to get a ______.”
Steller unloaded a red chair from her car. The man took the ______, and she ______ his curly graying hair. He ______ her about growing up in Mississippi about moving to Minnesota to be closer to his adult children, and how he still talks to his mom every day.
After Steller was ______, Edward looked in a ______. “ I look good!” he said. “I’ll have to remember to put my teeth in next time.”
Steller knows that a haircut can ______ a life. One changed hers: As a teen, she suffered from a severe ______, and her hair thinned too much. Seeing this, her mother arranged for Steller’s first professional haircut.
“To sit down and have somebody ______ me and talk to me like a ______ and not just an illness, it helped me feel ______ about.” She says. After that, Steller knew she wanted to have her own salon (美发厅) so she could help people ______ the way she’d felt that day.
“It’s more than a free haircut.” Steller says. “I listen to people’s stories of loss, addiction, and ______ to get back on their feet. I can’t ______ their problems, but maybe I can help them feel less ______ for a moment.”
1.A.settled B.stood C.stopped D.met
2.A.sign B.video C.book D.friend
3.A.door B.window C.chair D.lamp
4.A.regular B.fancy C.latest D.free
5.A.years B.teeth C.things D.meals
6.A.pound B.job C.haircut D.response
7.A.seat B.risk C.advice D.chance
8.A.brushed B.colored C.pulled D.cut
9.A.asked B.told C.informed D.consulted
10.A.done B.paid C.left D.gone
11.A.box B.direction C.spot D.mirror
12.A.start B.save C.change D.escape
13.A.condition B.loss C.failure D.disease
14.A.look at B.believe C.call on D.judge
15.A.servant B.person C.poet D.fool
16.A.sorry B.proud C.bitter D.cared
17.A.clear B.lead C.feel D.smooth
18.A.ability B.struggle C.permission D.decision
19.A.fix B.cause C.ignore D.recognize
20.A.guilty B.ashamed C.alone D.connected
Asking for feedback (反馈)is an essential step in your design process regardless of whether your work is finished or not. 1. You may do this in team meetings. You may do this after a person stares at your works for two hours, or after you post what you’ve just created. But in your effort to improve, it’s vital to understand the characteristics that separate three types of feedback.
Reaction-based feedback tends to be casual and emotional. For example, “That’s wonderful!” Feedback of this type is driven by what a person thinks he is expected to say or what the designer wants to hear. 2. This kind of reaction has little to do with what is being presented.
3. For example, “You should include a wider range of colors and make them match.” That’s also where such feedback ends. In this form of feedback, the individual providing it is often looking for ways to bring the creation more in line with his own expectations for designs.
When you are designing something, you need to have a specific purpose. When looking for feedback, you are working to understand whether your creation appropriately meets the purpose.
4. And that’s exactly what is offered by a critique （批判性反馈）,the third kind of feedback. For example, “If the purpose is to attract kids, it is fantastic to have a colorful castle-like building. Don’t use dark cloth, and avoid large furniture.” Comment of this type helps you tell if your work has achieved the desired outcome. 5.
A.But feedback differs greatly in its usefulness.
B.Direction-based feedback begins with a suggestion.
C.Sometime you need to turn to others for their comments.
D.It’s this form of feedback that is most helpful to your design.
E.You are looking for critical analysis for strengths or weaknesses.
F.Like emotional feedback, this next kind of feedback offers no explanation.
G.It is a response to the social demands of the situation rather than the needs of the designer.
Cars produced today are essentially smartphones with wheels. For drivers, this has meant many new features: automatic braking (刹车), turn-by-turn directions, infotainment systems. But carmakers are getting much, much more; They’re constantly collecting data from our vehicles, like how much we weigh, how fast we drive, how many children we have-even financial information.
Debates around privacy often focus on companies like Facebook. But today’s connected cars-and tomorrow’s autonomous vehicles show how the commercial opportunities in collecting personal data are limitless. Your location data will allow companies to advertise to you based on where you live, work or frequently travel. Data gathered from voice-command technology could also be useful to advertisers. Data on your driving habits could be valuable to insurance companies. You may or may not choose to share your data with these services. But while you can turn off location data on your cellphone, there’s no such feature for your car.
Because of the increasing complexity of cars and the Internet of Things, data is critical to repair and service. When carmakers control the data, they can choose which service centers receive our information. They’re more likely to share our data only with their branded dealerships than with independent repair shops, which could have the edge in price and convenience.
It’s clear, because of its value-as high as $ 750 billion by 2030-carmakers are unlikely to release control of the data collected from our vehicles. Policymakers, however, have the opportunity to give drivers control-not just so that they can keep their data private but also so that they can share it with the people they want to see it. This will let car owners maintain what they’ve had for a century: the right to decide who fixes their car.
1.What can we learn about the vehicle data?
A.It is available and free to all.
B.It tends to put drivers at risk.
C.It brings drivers limitless profits.
D.It offers whatever the carmakers want.
2.What does the underlined phrase “have the edge” in Paragraph 3 mean?
A.Be weaker. B.Be worse.
C.Be better. D.Be safer.
3.What can we infer from the last paragraph?
A.Car owners already have direct access to their vehicle data.
B.Drivers trade personal information for convenience.
C.Carmakers will share the vehicle data with drivers soon.
D.Laws are expected to bring the data back to drivers.
4.In which section of a newspaper may this text appear?
A.Entertainment. B.Health.
C.Education. D.Science.
We pick the upbeat tunes for parties and workouts, and save the low-key songs for romantic or sad moments. It’s hardly a new idea that music is mixed with our emotions. But how have our favorites changed over the decades, and what do these changes say about America’s shifting emotional landscape (景象)?
Researcher E. Glenn Schellenberg set out to examine songs popular in America during the last five decades, using a selection from Billboard Magazine’s Hot 100 charts, hoping to learn how emotional cues (提示) in music, such as tempo (slow to fast) and mode (major or minor key), have changed since 1960.
The most striking finding is the change in key. Songs written in a major key tend to sound warm and high-spirited, while songs in a minor key can sound darker and more melancholic (忧郁的). Over the last few decades, popular songs have switched from major to minor keys. Broadly speaking, the sound has shifted from bright and happy to something more complex. The study also finds America’s popular songs have become slower and longer. Even more interesting, is that our current favorites are more likely to be emotionally ambiguous, such as sad-sounding songs being fast or happy-sounding songs being slow.
A possible explanation for the changes is that the more contemporary music reflects the hardships that our society has gone through. However, Schellenberg believes that the steady increase in length and decrease in tempo doesn’t support the idea of growing difficulties fully because it would mean our problems have increased steadily over the last fifty years. He suggests that popular songs have become more complex over time because Americans are becoming more diverse and individualized in their musical tastes.
Though we can only guess about the specific causes of this evolution in music, Schellenberg’s initial observations have helped to open the door to research on the link between emotion and music consumption. Perhaps someday we’ll learn more of the secrets behind the music we love and the times we live in.
1.Why did Schellenberg start the study?
A.To change music styles. B.To explore changes in music.
C.To select America’s favorite music. D.To examine the creation of music.
2.What can we learn from the findings?
A.Older songs were often more sad-sounding.
B.Popular songs have become warmer and shorter.
C.Recent hits are likely to be longer and more complex.
D.Current favorites tend to be composed in a major key.
3.What is the fourth paragraph mainly about?
A.The influences of the study. B.The diversity of musical tastes.
C.The causes of the music changes. D.The features of America’s society.
4.What is the author’s attitude to the study?
A.Positive. B.Doubtful.
C.Disapproving. D.Ambiguous.
